This means that shooting with a 50mm standard lens on an APS-C camera gives you the same field of view as shooting with an 80mm telephoto lens on a full-frame camera (50 x 1.6 = 80). In effect, compared to the image on a full-frame sensor, the image is cropped.īecause the APS-C sensors in Canon cameras are 1.6x smaller than the sensors in Canon full-frame cameras, the "crop factor" is 1.6x. If you use the same lens on an APS-C format camera, the smaller image sensor will utilise only a smaller region in the centre of the same image circle. All lenses produce a circular image, which means that a full-frame compatible lens needs to have a large enough circumference for the image to overlap the corners of a rectangular full-frame image sensor. This physical size difference between the two sensor types determines what the camera "sees". Ink, Toner & Paper Ink, Toner & Paper .Print memories on-the-go with a small and lightweight portable printer. Portable Printers Portable Printers Portable Printers.Take complete creative control of your images with PIXMA and imagePROGRAF PRO professional photo printers. Professional Photo Printers Professional Photo Printers Professional Photo Printers.MegaTank Printers MegaTank Printers MegaTank PrintersĮnjoy high quality performance, low cost prints and ultimate convenience with the PIXMA G series of refillable ink tank printers.Seeking the best printer for your business? Hit your productivity targets with inkjet and laser printers that are a perfect fit for any workspace – including home offices. Small Office Printers Printers For Small Businesses Small Office Printers.Home Printers Home Printers Home Printersįunctional and stylish home photo printers and all-in-ones delivering quality results.This can be distracting when you pull focus although more expensive, higher quality modern lenses with focus breathing are designed to minimize this. With caretain lenses, image size can slightly vary as you adjust the focus. Parfocal lenses work perfectly when working quickly, as they hold the focus when you zoom in or out. You might prefer lenses with mechanical focus rings made by third party manufacturers, or vintage prime lenses, should you wish to change the focus manually. The focus changes depending on how quickly you turn the ring. Many modern day “fly-by-wire” camera lenses are composed of a physical focus ring with an electronic motor adjusting the focus. If you're a vlogger or a run-and-gun type shooter, we suggest prioritizing this added feature for more professional footage without sacrificing a minimal setup. Image stabilization must be considered if you need to shoot quickly, especially without a tripod or gimbal attachment. These are the largest and heaviest lenses available, very tough to bring around and recommend for a tripod. The even longer telephoto lenses are best for the most flattened perspective to isolate the subject from the background while bringing distant subjects near. Such depth offers a flatter perspective to craft a strong composition.įocal length: Full-frame, 135mm and above. While bulkier in size, they are trickier to handhold so it's best to use them on a tripod or gimbal. These types of lenses offer the least distortion on closeups, while continuously maintaining a maximum aperture for more light. Mis-Telephoto or ‘Portrait’įocal length: Full-frame around 85-100mm APS-C around 50-60mm MFT 35-50mm Maximum apertures allow for a shallow depth of field idea if you want to use focus creatively, but not great everything needs to be sharp. 50mm prime lenses are smaller in size, yet give a wider aperture to allow more light in. Perfect for portraits, shots with two people, and mid-shot scenes from one’s hip to head. Standard lenses offer a more natural-looking perspective. Standard Angleįocal length: Full-frame around 50mm APS-C around 35mm MFT 20-25mm Colseups will be more distorted, however, which is a noted drawback. They’re easy to hold in the hand and its perspective is dramatic with a quality depth of field. Wide lenses are useful for filming master shots of a whole scene, or for achieving closeness within cramped spaces. Wide Angleįocal length: Full-frame around 24-40mm APS-C 15-24mm MFT 10-17mm What’s the depth of field supposed to be, how do you wish it to be stylized? Below are various focal lengths, what their strengths are, and which scenes are best for each. Choosing a focal length has everything to do with what scene you're shooting and how you wish to showcase the subject.
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